The story of Rachel and Leah is unique because it is the only example in the Torah of two sisters in relationship. As Elyse Goldstein points out in Re-Visions: Seeing Torah Through A Feminist Lens, there are other sisters in the Torah besides Rachel and Leah, but these are either sisters to men (such as Miriam to Moses), or groups of sisters who are treated as a unit, rather than as individuals. So the Rachel-Leah story is the quintessential sister narrative, in contrast to all the brother narratives in the Torah, and as such, is crucial to our understanding of how the Torah views sisters – and, by extension, sisterhood. For this reason, this story has drawn the attention of many feminist readers of the Bible. And many, like me, have been troubled by the portrayal of the relationship between Rachel and Leah as being basically one of rivalry, of two women fighting over a man – sisters, yet no sisterhood.
The way this story is told, of course, has precedents. In The Feminist Companion to the Bible, Athalya Brenner observes that pairs of women in the Bible “are always defined as two rivals who are interlinked by family ties and interlock in social combat, as if no alternative pattern of social behaviour is conceivable for them…” (203). I would suggest, however, that there is an alternative way to understand the relationship between Rachel and Leah, and that there is much more to this relationship than, as Sandy Eisenberg Sasso called it in The Women’s Torah Commentary, a “cat fight” between two women.
In Genesis, of course, we already know by the time we come to the Rachel-Leah story that the Torah does not idealize family relationships. Just before the Rachel-Leah story, we read of the tumultuous relationship between Jacob and Esau, and in the generation that follows Rachel and Leah, we have the story of Joseph and his brothers. The Rachel-Leah story is “sandwiched” in between these two brother stories, and it has similarities to them thematically. But there are also several important differences.
First of all, while the brother stories are about boys competing for their father’s love, the Rachel-Leah story is about two women competing for the love of their husband. Rather than being about same-sex parental love and approval, this one is about opposite-sex spousal love and desire, including all the sexual, erotic, and romantic components implied in this. Furthermore, the Rachel-Leah story is different from the brother rivalry stories because of the factor of gender. As Ilana Pardes points out in Countertraditions in the Bible, the official hierarchy in the Bible is of God-man-woman, and just as man can imitate God but never be God, so woman can imitate man, but can never be the equal of man. In this case, Jacob’s is clearly the main plot of the story, and Rachel and Leah are just a sub-plot.
Furthermore, the underlying theme in Genesis’ brother stories is the reversal of primogeniture. In Pardes’ view, even if Rachel had dreams of reversing primogeniture, as Jacob did, in the end she does not succeed, and the natural order is maintained. Her older sister marries before her and has children before her. So it is hard to see Rachel as having prevailed over Leah, the way Jacob prevails over Esau when he succeeds at overcoming birth order and supplanting Esau as the number one son.
One other striking difference between the sisters’ narrative and the two brother narratives is that the brothers, in both cases, reconcile. Jacob and Esau cry on each other’s necks, and so do Joseph and his brothers. But as Pardes points out, the biblical text offers no reconciliation between Rachel and Leah. We never see these sisters hugging and kissing and crying, like the boys do.
Yet another important male-female difference concerns the “wrestlings” of Jacob and Rachel. As Eisenberg Sasso notes, both Jacob and Rachel wrestle. Different Hebrew verbs are used for wrestle – niftalti for Rachel and va’yeavek for Jacob — but these are both valid words for wrestling. Jacob’s wrestling takes place with an angel the night before he is about to go meet his brother Esau after many years apart.
Eisenberg Sasso points out that Jacob’s wrestling with the angel is taken very seriously in the Bible. It represents a highly important spiritual struggle, one that the rabbis interpret as a struggle with his brother, Esau. In contrast, the wrestling between Rachel and Leah is treated as just wrangling between sisters. Eisenberg Sasso suggests that Rachel’s struggle with Leah was, like Jacob’s with Esau, also a divine struggle, and should be taken just as seriously.
Pardes, commenting on Rachel’s “yes, and I have prevailed,” calls Rachel’s boast one of “questionable validity” (65). After all, this is really Bilhah’s child, and Rachel’s own womb is still closed. Referring to an allusion of Henry James’, Pardes writes: “Rachel runs breathless ‘beside the coach’ of the ‘true agent’” (in other words, Jacob, and a full destiny for herself), “but neither manages to get her ‘foot on the step,’ nor to cease for a moment to tread the dusty road.” An interesting image, given that Rachel ends up being buried by the side of a road.
Unlike Jacob, Rachel never gets the chance to be transformed. Pardes relates this to the fact that there is never any explicit reconciliation between Rachel and Leah. Jacob’s inner transformation after struggling with the angel is inextricably bound up with his capacity to reconcile with his brother. This difference in Jacob’s and Rachel’s sibling experiences suggests that in the Torah, personal change and growth is possible, but only in the male realm.